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Gaynor Minden, Inc.
140 West 16th Street
New York, NY 10011

Feet & Fitting > Heat Forming

 

 

Gaynor Minden pre-arched shanks conform beautifully to most feet and provide excellent support. Some dancers, however, will prefer to adjust their shanks to enhance placement and appearance.

Many dancers use the word "break" in describing where a shank bends, because cardboard shanks are literally broken in the spot where the dancer wants the shank to press into her foot. Gaynor Minden shanks are unbreakable, but the spot where they bend and the degree of bend can be changed. The dancer can achieve the effect of "breaking high" or "breaking low" without damaging the shank in any way.

The thermoplastic elastomeric material from which Gaynor Minden shanks and boxes are made will become soft and malleable when heated. The temperature needed for softening is considerably hotter than body temperature, even under stage lights, so there is no concern that the shoes will soften during normal use. We recommend a blow dryer as the best source because of its safety and convenience. Resist the temptation to hasten the heating process; an oven or a heat gun can burn or melt the shoes beyond repair. Do not microwave! Adjustments should be made with the shoe off the foot. All adjustments follow the same simple steps:

  1. HEAT. Holding the shoe in one hand, aim the blow dryer at the part of the shank to be changed. Heat both the inside and the outside of the shoe. Do not let the shoe become hotter than you can hold in your bare hands. Be sure the shoe is hot enough; heat for at least four minutes. Never let the nozzle of the blow dryer touch the shoe.

  2. SHAPE. Bend (or straighten) the shoe into an exaggeration of the desired shape. While bending the shoe, press the outer sole against a round surface such as a ballet barre or other rounded surface.
  3. HOLD UNTIL COOL. Hold the exaggerated shape until the shoe has returned to room temperature.

Firmer shanks undergo a more dramatic change with heat forming than do softer ones, and they will "push" or "pull" the dancer more forcefully. Therefore a dancer who needs to "go over" more may be better helped by a firm shank that has been heat formed into a shape that pushes her forward under the metatarsal than by a softer shank that simply bends more easily under her weight.

Heat forming does not affect the durability of the shoe. A shoe may be repeatedly heated and re-formed. Sometimes re-forming is necessary because the shoe may gradually return to its original shape over a few weeks. Supple shanks are more likely to require periodic re-forming than firmer ones.

Heat forming does not alter the flexibiltiy of the shoe. Although the shoe becomes very flexible while it is hot, it regains all its original stiffness once cool again.

Heat Forming for Perfect Placement

"Going over too far"
If the dancer goes over too far even with a deep vamp, she should straighten the shank. The area under the ball of the foot should be heated and held in an exaggeration of the desired shape, i.e., almost in the shape of a shoe in demi-pointe.

The back portion of the shoe may be left alone, or it may also be bent in a reverse of the normal arch shape, or it may be bent to follow the normal arch (this feels like a "3/4 shank")- all depending on how severe the "going over too far" is and on what looks and feels best. The straighter the shank the less the dancer will go over.


Straightening the shank is often necessary for dancers who

  • like "3/4" shanks, or
  • have highly arched insteps or very stretched ankles, or
  • are tall and big-boned and therefore put more weight on their shanks, or
  • think they need a hard shank because they usually break shanks too quickly.

"Not going over enough...
being held back"


If you feel held back even with a regular vamp, or if you feel that the shoes do not do your feet justice aesthetically, you should put more bend in the shank. This corrects the sensation that the shoe is "breaking too high." You can increase the bend in a particular portion of the shank or along its entire length.


Increasing the arch is often necessary for dancers who

  • like "1/2" shanks or customarily remove a portion of their cardboard shank, or
  • have less arched insteps or less ankle flexibility, or
  • are petite and do not weigh enough to bend shanks easily.

PERFECT!